Is Olympus Registered With Sec

Sensor / Dust Reduction

1. Sensor Blazon

   4/3" Live MOS Sensor

2. Effective Pixels

   20.four 1000000

3. Total Pixels

   21.8 million

4. Aspect Ratio & Area

   4:iii / 17.iv x xiii.0mm

5. Dust Reduction

   Super Sonic Wave Filter

Processor

1. Processor Blazon

   TruePic™ VIII

Focusing Organisation

1. AF System Blazon

   High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination. When a Four Thirds lens (mount adapter sold separately necessary) is attached, imager phase detection AF is always enabled.

2. Focusing Points / Focusing Points Selection Manner

   121-point cross-type phase detection AF and 121-point contrast AF All target, single target (normal / small), group target (5-area / ix-area / 25-surface area)

3. Focus Modes

   Single AF (Southward-AF)
   Continuous AF (C-AF)
   Manual Focus (MF)
   Southward-AF + MF
   AF tracking (C-AF + TR)
   Preset MF *
   * Distance setting values are rough estimates and not compatible lens except the AF lens.

4. AF Limiter

   Available (Fn button can be assigned to On/Off; tin can save 3 altitude settings)
   *Altitude setting values are rough estimates.

5. AF Operation

   C-AF lock (five steps) , AF scanner (3 types) , C-AF Center Priority , C-AF Center Get-go

6. Magnified Frame

   3x , 5x , 7x , 10x , 14x
   * Autofocusing is possible in the magnified frame; can exist assigned to push button to turn magnify frame AF on and to activate magnification; impact icon on monitor to turn off; enables selection of AF point from over 800.

7. Super spot AF

   Available*(Contrast AF in centre of the monitor when magnified)
   *Available just when a Micro Four Thirds lens is attached.

8. Face Detection AF / Centre Detection

   Available
   Eye Detection AF mode : off / nearer-eye priority / right-center priority / left-middle priority

9. AF Targeting Pad

   Available (activate / deactivate with double tap on rear monitor)

10. Manual Focus Assistance

    Focus ring rotation activates Live View image magnification and/or focus peaking when in S-AF+MF or MF mode

11. Peaking Office

    Activation tin can be assigned to a custom button or the focus ring

    Change peaking settings using the "Info" button
    Colour selection: white, black, red, yellow
    Intensity selection: high, normal, low
    Dorsum light effect: on, off

12. AF Focus Adj.

    Accommodate all, adjust by lens
    (for Phase detection AF only)

13. AF Illuminator

    Available

Image Stabilization

1. Arrangement Type

   Built-in 5-axis* sensor-shift image stabilization for movie and still photos
   *yaw/pitch/roll/vertical shift/horizontal shift

2. Modes

   4 modes (South-IS AUTO, S-IS1, S-IS2, South-IS3, OFF)

3. Focal Length Setting

   11 settings: ten programmable settings (10 lenses), 1 open setting

4. v-Axis Sync IS

   Available*
   *When using M.Zuiko Digital lenses equipped with epitome stabilization

5. Stabilization Performance

   v.five EV[*]
   * Based on CIPA measurement atmospheric condition. When using M.ZUIKO Digital ED 12-40mm F2.8 PRO (focal length =40mm (35mm equivalent: 80mm))
   6.5 EV[*]
   * Based on CIPA measurement conditions. When using Chiliad.ZUIKO Digital ED 12-100mm F4.0 PRO (focal length =100mm (35mm equivalent: 200mm)), halfway release image stabilization Off

6. Lens IS Priority

   Bachelor

Shutter / Sequential Shooting

1. Shutter Blazon

   Focal-aeroplane shutter : i/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, ane)
   Live Bulb / Live Time: selectable exposure time (i / ii / 4 / 8 / 15 / xx / 25 / thirty min.), with eight-min. default setting. Live Blended: maximum shooting fourth dimension three hours

   Electronic kickoff mantle shutter (Anti-stupor way) : ane/320 - threescore sec.
   Electronic shutter (Silent way) : 1/32000 - 60 sec.
   (all the same) Flicker browse: ane/7634 - 1/50.0 sec.
   (movie) Flicker browse: 1/250 - 1/xxx.0[*] sec.
   *50fps movie: 1/fifty.0 sec., 60fps movie: 1/sixty.0sec., Loftier speed video: i/120.0sec.

2. Sequential Shooting Maximum Speed

   [Sequential shooting H]　approx. 10 fps with selectable five -10 fps
   [Sequential shooting Fifty]　approx. 6fps with selectable 1-vi fps
   [Anti-shock sequential shooting 50]　approx. five.five fps with selectable 1-6 fps
   [Silent sequential shooting H]　approx. 30 fps with selectable xv, twenty, 30 fps
   [Silent sequential shooting L]　approx. 10 fps with selectable ane-10fps
   [Pro Capture H]　approx. thirty fps with selectable 15, twenty, 30fps
   [Pro Capture L]　approx. 10 fps

   *When using the Yard.ZUIKO Digital ED 12-40mm F2.8 PRO
   *Maximum sequential shooting speed may be affected by several factors including lens used, effulgence, aperture, shutter speed, and ISO setting.
   *When in Pro Capture fashion, slower shutter speeds and flash cannot be used.
   *Pro Capture 50 is bachelor when an M.ZUIKO lens or lens without advice capability is attached. (Auto-focus is non available for lenses without communication capability).
   *In Pro Capture Sequential Fifty, the minimum aperture is F8.
   *When ISO is 8000 or above, the maximum sequential shooting speed is thirty fps, and the bodily shooting speed may become slower than the gear up shooting speed by a few frames per 2nd. When using ISO Bracketing, functioning will be affected at ISO 2000 or to a higher place.
   *Focus and exposure are stock-still at the values of the beginning shot when using sequential shooting

3. Max Recordable Pictures in Sequential Shooting

   [Sequential shooting H 10fps] RAW: Max. 150 frames, JPEG (LF): Until card is full
   [Sequential shooting Fifty 6fps] RAW, JPEG (LF): Until carte du jour is full
   [Silent sequential shooting H 30fps] RAW: Max. 23 frames, JPEG (LF): Max. 26 frames
   [Silent sequential shooting Fifty 10fps] RAW: Max. 152 frames, JPEG (LF): Until carte is full

   *When using the Grand.ZUIKO Digital ED 12-40mm F2.8 PRO and the Toshiba SDXU-D032G retentivity card

4. Sequential Shooting Frame Count

   1 - 99 frames

5. Pre-shutter Frames
   *For Pro Capture way only

   Number of frames recorded prior to full-printing of the shutter push button can be set from 0 to 14 frames

6. Self Timer

   Operation time: 12 sec., 2 sec., custom (Expect time: 1-30sec., Shot interval: 0.5/ane/2/3sec., Number of shots: ane-x, Every time AF: ON/OFF)

Viewfinder/Monitor

1. Finder Type

   Eye-level electronic viewfinder (OLED), approx. 2.36M dots

2. Field of View / Viewfinder Magnification

   Approx. 100% / Approx. 1.20x[*1] - 1.37x[*2] (-1m-i, 50mm lens, Infinity)
   * 1: Finder Fashion ane, 2 (attribute ratio 4:three)
   * 2: Finder Style iii (attribute ratio 4:3)

3. Eye Indicate / Diopter Aligning Range

   Approx. 27mm (-1m-one, Distance from rear lens surface) / -four ~ +2m-1

4. Preview

   Live View preview with depth of field preview lock

5. Display Grid

   Off / normal grid / trichotomy / gold grid / scale / diagonal / film grid
   * filigree color is selectable

6. Level Gauge

   2-axis (horizontal / vertical) level gauge

7. One Touch Tele-Converter

   Available (2x)

8. Finder Mode

   3 styles

9. Effulgence / Color Temp Control

   Adaptive brightness technology (EVF Auto Luminance) / ±vii level manual brightness command /±seven level manual color temperature control

10. Rear Monitor Size

    3.0-inch vari-angle monitor[*]
    * Approx. 1.04M dots (3:2), electrostatic capacitance touch panel

11. Affect Control

    Shutter release, Affect AF (AF area selection, AF expanse size adjustment) AF targeting pad, frame forwards/backward, magnified playback, Super Control Console, Wi-Fi connection, movie controls

12. Tilting Capability

    Available (mirror display when monitor is in self portrait position)

13. Brightness / Color Temp Control (Rear Monitor)

    ±vii levels / ±7 levels

14. Color Tone Select

    Vivid / Natural

15. Live View

    Approx. 100% field of view,
    exposure bounty preview, WB adjustment preview,
    gradation preview, face detection preview (up to 8 faces),
    grid line, magnification display (x3/x5/x7/x10/x14),

16. Alive View Boost

    Alive View Boost 1 , Live View Boost 2* (For night situations)
    *Settings can be specified for each shooting mode
    *Alive View Boost 2: Frame Rate Priority or Quality Priority selectable
    *Off: Brightness in Live View shows specified exposure settings.

Exposure Control / Wink

1. Metering Arrangement

   Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control
   *Too available AF target spot metering

2. Metering Range

   EV -2 - 20 (ISO approx.100, with a F2.8 lens)

3. Exposure Mode / Shooting Style

   AUTO
   Program AE (Program shift tin can exist performed)
   Aperture priority AE
   Shutter priority AE
   Transmission
   Seedling (Live Seedling, Live Time and Live Composite are available)
   Custom *
   Scene select  AE
   Art Filter
   Underwater wide / macro**

   **to be assigned to custom push button
   *Custom settings from menu

4. Scene Select AE

   [Scene]
   Portrait, e-Portrait, Landscape + Portrait, Nighttime + Portrait, Children, Dark scape, Sport, Hand-held Starlight[2], Fireworks, Low-cal trails, Sports, Panning, Mural, Sunset, Beach & Snowfall, Backlight HDR[1], Candlelight, Silent, Macro, Nature Macro, Documents, Multi Focus Shot
   *1 4 images automatically shot and combined into a single epitome composite
   *2 8 images automatically shot and combined into a single epitome composite

5. ISO Sensitivity

   Automobile ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400)
   Manual ISO: Depression (approx.64, approx.100), 200 - 25600 (adjustable in 1/3 or 1 EV steps)

6. Exposure Compensation

   ±5 EV, adjustable by ane/3, 1/2 or 1 EV steps
   When shooting in HDR or in video, only adjustable upward to ±3 EV steps
   Live View only reflects upwards to ±3 EV steps

7. AE Lock

   Locks with a half-press of the shutter button (can be set to AEL/AFL button likewise)

8. Anti-Flicker Shooting

   Available

9. Wink Intensity Command Mode

   TTL Machine, Auto*, Manual, Super FP*(FP-TTL Motorcar, FP-MANUAL)
   * Available with external flash

10. Wink Mode

    Redeye, Fill-in, Flash Off, Red-centre Slow sync.(1st drapery), Slow sync.(1st curtain), Slow sync.(2nd mantle), Manual（one/1（Total）～ane/64）

11. Synchronization Speed

    one/250 sec.
    *When using Super FP: 1/125-1/8000 sec.
    *When using electronic shutter:　1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing

12. Flash Intensity Control

    Up to ±3 EV in one/3, 1/two, 1 EV steps selectable

13. Compatible External Wink

    FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8, FL-700WR

14. Wireless Flash Control Method

    Triggered and controlled by Olympus Wireless RC Flash system uniform flashes: included FL-LM3 or separately available FL-600R and FL-900R , STF-8, FL-700WR

15. External Flash Intensity Type

    TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-Transmission

16. Channel No.

    4 channels

17. Group No.

    iv groups (External flash 3 groups + commander wink)

18. Radio Wireless Control

    Available

Retentivity / Prototype Recording (File Format)

1. Uniform Memory

   SD, SDHC*1, SDXC*1
   *i UHS-I, UHS-Ii compatible

2. Recording Format

   DCF2.0, Exif2.31

3. File Format

   RAW (12-chip lossless compression), JPEG, RAW+JPEG

4. Recording Image Size

   [RAW] 5184 10 3888 pixels
   [JPEG] 5184 10 3888 pixels - 1024 x 768 pixels

White Balance / Color Mode

1. White Balance Mode

   Automobile WB, vii Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)

2. White Balance
   Compensation*

   ±vii steps along A-B / G-Grand centrality

3. Preset White Balance

   7 preset WBs (3000K - 7500K)
   - Sunny(5300K), Shadow(7500K), Cloudy(6000K), Incandescent(3000K), Fluorescent(4000K), Underwater, WB Flash(5500K)

4. CWB (Kelvin Setting)

   2000 - 14000K

5. Capture White Balance

   four custom settings can be registered

6. Color Mode

   sRGB, Adobe RGB

Bracketing / HDR

1. Exposure Bracketing

   ii, three or five frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.three/0.7EV steps selectable

2. ISO Bracketing

   three frames in 0.iii/0.vii/1.0EV steps selectable

3. White Residuum Bracketing

   iii frames in 2, 4, 6 selectable steps for A-B/G-Thou axis.

4. Flash Bracketing

   three frames in 0.three/0.7/1.0EV step selectable

5. Art Filter Bracketing

   i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Fine art Filters, Color Creator　selectable

6. Focus Bracketing

   3 to 999 shots, focus steps adjustable from ane to ten (compatible with Micro Iv Thirds lenses)

7. Focus Stacking Mode

   viii shots are taken at different focus points and automatically composited together into a single paradigm
   * Angle of view becomes slightly smaller
   * View the electric current list of compatible lenses

8. HDR (Motorcar Composite)

   HDR1, HDR2 (painting-like)
   ISO sensitivity is stock-still at 200, and maximum shutter speed setting is iv sec.
   Exposure compensation can exist performed.

9. Bracketing for HDR post-process

   HDR1, HDR2 (painting-like)
   ISO sensitivity is stock-still at 200, and maximum shutter speed setting is iv sec.
   Exposure compensation can be performed.

Artistic Features

1. Picture show Mode

   i-Enhance, Bright, Natural, Muted, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters

2. Gradation

   Auto, Normal, High Key, Low Key [except when using e-Portrait, Underwater, Fine art Filters, Color Creator]

3. Highlight and Shadow Command

   ±7 steps each for highlight, shadow, midtone

4. Fine art Filter
   (Variation / Art Effect)

   Pop Fine art (I, 2 / a.b.c.d.e.f)
   Soft Focus ( - / c.e)
   Pale & Calorie-free Colour (I, Two / a.b.c.d.f)
   Lite Tone ( - / d.f)
   Grainy Film (I, II / b.c.d.g.h)
   Pin Hole (I, 2, III / d)
   Diorama (I,II / d)
   Cantankerous Process (I, II / b.c.d.f)
   Gentle Sepia ( - / a.b.c.d.f.)
   Dramatic Tone (I / b.c.d.e.f) (Ii / b.c.d.e.f.g.h)
   Cardinal Line (I, Ii / a.b.c.d.east.)
   Watercolor　(I, 2 / a.b.c.d.)
   Vintage (I, II, III / a.b.c.d.due east.f.i)
   Partial Color　(I, Ii, III / a.b.c.d.east.f)
   Bleach Bypass (I, II / a.b.c.d.e.f.i)
   Instant Film (- / a.b.c.d.e.f.i)

5. Art Effect

   a. Soft Focus Effect
   b. Pin-Hole Upshot
   c. White Edge Effect
   d. Frame Issue
   due east. Star Light Effect
   f. Blur Effect (Top & bottom, Left & Right)
   thou. B&W Effect (None, Yellow, Orange, Scarlet, Green)
   h. Film Tone (None, Sepia, Blue, Purple, Green)
   i. Shade Consequence (Top & bottom, Left & Correct)

6. Color Ring (for fractional colour)

   18 color selectable

7. Color Creator

   Color blueprint : 30 colors / Saturation setting -4 ~ +3

8. Live Bulb / Alive Time

   Update Interval Fourth dimension - 0.v sec – threescore sec

9. Alive Blended

   Update Interval Time / blended method – 0.5 sec – sixty sec / Lighten Mode (Bright surface area prioritization)

10. Interval Shooting

    Interval Fourth dimension i sec. - 24 Hours, Max 999 frames.
    Automated creation of time-lapse movies possible

11. Multiple Exposure (number of pictures / function)

    2 frames / Car proceeds, exposure on recorded picture (RAW)

12. Fisheye Compensation

    Available (angle : i-3)

13. High Res Shot

    Equivalent to 50 megapixels / 25 megapixels (8 shots combined into a single JPEG using sensor shift)
    Bachelor in P/A/S/One thousand way, RAW+JPEG or JPEG.
    JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 10368 x 7776
    RAW data tin be adult in-camera. Olympus Workspace required to develop on a PC.

14. Keystone Compensation

    Available (can be confirmed in Live View)
    *Horizontal and vertical compensation tin can be performed simultaneously.

Video / Audio Recording

1. Video Recording Format

   MOV(MPEG-4AVC/H.264)

2. Flick Mode / Frame Charge per unit / Compression Method

   4096×2160(C4K) / 24p / IPB(approx.237Mbps)
   3840×2160(4K) / 30p, 25p, 24p / IPB(approx.102Mbps)
   1920x1080(FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB(SF, F, N)
   1920x1080(FHD) / 60p, 50p / IPB(SF, F, N)
   1280x720(HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I) , IPB(SF ,F ,Due north)

   60p： 59.94 fps
   50p： 50.00 fps
   30p： 29.97 fps
   25p： 25.00 fps
   24p： 23.98 fps
   C4K 24.00 fps

   FHD ALL-I(A-I : ALL-Intra/approx.202Mbps)　FHD IPB(SF : SuperFine / approx.52Mbps, F : Fine / approx.30Mbps, Northward : Normal / approx.18Mbps)
   Hd ALL-I(A-I : ALL-Intra / approx.102Mbps)　Hd IPB(SF : SuperFine /approx.26Mbps, F : Fine / approx.14Mbps, N : Normal / approx.10Mbps)

   *Frame rates may driblet when particular Art Filters and Movie Effects are used.
   *Class x or college SD card is recommended for shooting movies.
   *UHS-II or UHS-I U3 card is recommended for 4K,C4K,ALL-I shooting.

3. Maximum Video Recording Fourth dimension

   Approx. 29min 59sec

4. Picture Tele-converter

   Approx. 3x (enlarges view of selected area)

5. Fine art Filter Movie

   Available
   (Frame rates may driblet when certain Fine art Filters are used)

6. Movie Upshot

   One-shot Repeat / Multi-echo / Fine art Fade / Onetime Film

7. Timelapse Movie

   [AVI ]
   3840×2160（4K）/ 5fps
   1920×1080（FHD)/ 5fps，10fps，15fps
   1280×720（HD)/ 5fps、10fps、15fps、30fps

8. Quick Movie / Slow Motion picture

   With (Both or either of the two may not exist available depending on the frame rates.

9. High speed movie

   120fps (1920×1080/MOV）

10. Image Stabilization for Movie

    M-IS1*(Image sensor shift and electronic image stabilizer with multi motion IS),
    K-IS2(Image sensor shift with multi motion IS), Off
    *While using Yard-IS1, field of view may exist affected.

11. AE Lock

    Available

12. Video Exposure Control

    Programme AE, aperture priority AE, shutter priority AE, manual

13. Grid Lines / Focus Peaking

    4 types of filigree lines / 4 colors for focus peaking

14. Fourth dimension Code

    Rec run/gratis run, drop frame/not-drop frame

15. Alive View Output via HDMI

    Monitor Way (outputs video and info display to a connected monitor) *1
    Tape Mode (outputs video only, with no info brandish) *ii
    *1 While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info brandish is shown simply on either one of the two.
    While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged).
    Nonetheless, the paradigm can not be enlarged on the camera when a pic is existence recorded.
    *2 Movie quality is set to YCbCr 4:ii:2 (8 chip), frame charge per unit follows picture show setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded.

16. Film Movie Style

    Flat (LUT file available for download from website)

17. Sound Recording Format

    Moving ridge Format (Stereo linear PCM/xvi-fleck, Sampling frequency 48kHz)
    Loftier quality audio recording (Stereo linear PCM/24-bit, Sampling frequency 96kHz)

18. Microphone / Speaker

    Congenital-in stereo microphone / born mono speaker
    *External stereo microphone tin exist attached

19. Microphone Function

    Wind noise reduction, recording volume, microphone volume limiter
    Audio dubbing possible for even so pictures (up to xxx sec.)
    *May affect audio quality.

20. IC Recorder Linkage

    "Slate Tone / Synchronized Audio Rec-Motion picture Rec
    *LS-100 compatible

Operability

1. Wireless Shooting

   Alive View, Rec View, Wireless Impact AF shutter, Self Timer (west/Inaugural guidance, Sequential shooting, motion picture recording capability), Wireless Release, Moving picture Recording, Ability Off
   *P / A / Southward / Thousand / B and drive mode tin exist selected.
   Aperture, shutter speed, exposure, ISO sensitivity, white balance and sequential shooting can be adjusted.

2. Image Share

   File Blazon: JPEG*, MOV
   Marking function for image share.

3. Easy Connectedness

   Connect using a QR code
   Connect using Bluetooth (View, Transfer only. Enabled from the second fourth dimension)

4. Playback Way

   Unmarried-frame
   Information display
   Index display (four/ix/25/100 frames),
   Agenda
   Enlargement (1:1, 2x - 14x)
   Movie (with sound, FF/REW/Intermission)
   Picture rotation (machine)
   Light box display

5. Information Display

   Histogram (independent luminance / RGB bachelor), Highlight/Shadow point warning, AF frame, Photographic data, OFF

Custom

1. Style dial my set

   1 type (Modes C can be accessed by mode dial)

2. Carte du jour custom set up

   Modes C2, and C3 tin can be accessed via the menu
   * Some items including shooting fashion may not exist chosen up

3. Dial customization

   Dial role and punch direction are customizable for both dials

4. Lever customization

   Select consignment from 3 dissimilar modes, power switch, or off (no function assignment)

5. Push button Customization

   Buttons tin can exist customized (select from 35 functions)
   Buttons on lenses can besides be customized from the camera
   Some buttons may have restrictions to what functions can be assigned

6. Copyright Settings/Lens info Settings

   Available (relieve up to 10 lenses)

7. Carte Languages (34 selectable)

   English, French, High german, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Connectivity / Ability Requirements

1. USB Connector

   USB Micro-B

2. Remote Connector

   φ2.5Pin Jack (when using separately available RM-CB2).

3. HDMI Connector

   Micro HDMI （blazon D)

4. Flash Attachment

   Hot shoe

5. Wireless LAN

   Built-in (IEEE 802.11a/b/k/n)

6. Bluetooth

   Built-in (Bluetooth® Ver.iv.2 BLE)

7. MIC Input Jack

   φ3.5 stereo mini jack (plug-in power on/off)

8. PC Interface

   USB two.0 Hi-Speed

9. Battery

   BLS-50 Li-ion bombardment (included)

10. Battery Status Display

    Remaining power (4 steps, %, or by-infinitesimal brandish), shot count, degradation

11. USB Charging

    Removable bombardment can be charged with USB when in camera
    * When the camera power is off
    * Performance varies depending on different USB devices

12. Sleep Mode

    Available (ane/3/5 min. off)

13. Number of Recordable Pictures

    Approx. 310 shots (using Toshiba SDHC UHS-I Carte du jour Exceria with IS ON, with no flashes fastened, based on CIPA exam standards)

14. Battery Life for Movie Recording

    Approx. 60 minutes (under standard JEITA testing)
    Approx. 110 minutes (when zoom and other operational functions are not used)
    *When repeatedly recording at the maximum time of 29 minutes

Weights & Dimensions / Operating Environment / Box Contents

1. Weight

   Approx. 414g (with bombardment and retentivity bill of fare, based on CIPA standards)
   Approx. 366g (body only)

2. Dimensions

   W:125.3mm H:85.2mm D:49.7mm
   (based on CIPA standards: excludes protrusions)

3. Environmentally Sealed

   Dust, Splash, Freezeproof

4. Operating Temperature Range

   -10ºC ~ +40ºC (when in functioning) / -20ºC ~ +60ºC (when stored)

5. Operating Humidity Range

   30 - xc% (when in performance) / x - ninety% (when stored)

6. Box Contents

   Torso, USB cable, shoulder strap, instruction manual, warranty card, FL-LM3 wink, BLS-fifty Li-ion battery, BCS-5 rapid Li-ion bombardment charger

Source: https://getolympus.com/us/en/e-m5-mark-iii.html

Posted by: mcnerneyfactly.blogspot.com

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